Open call for participation in the Fifth International Contest of Light Installations, Media art, and Video mapping is finished!
Applications were accepted
until November 1
Applications were accepted until 1st November!

The Fifth International Contest of Light Installations, Media Art, and Video Mapping will be held in a new format! For the first time, we are starting the selection process in the autumn and conducting a laboratory in Gatchina! For the first time, the concepts of creative works will be born during the contest! For the first time, the contest program will include lectures, master classes, and meetings with experts! The traditional art residency in Gatchina in August 2025 will culminate in the creation of 20 works, all of which will be presented to the audience at the International Festival of Light and Media Art “Light Nights”
Who is this for
We invite those who are interested in making creative content and possess a set of relevant competencies. The contest is for you if you are a practising media artist, light artist, designer, multimedia specialist, sound designer, composer, architect, engineer, technologist, decorator, student or graduate of Russian and foreign universities and colleges, as well as creative associations, design studios, and more.
Applications for participation in the contest can be submitted both individually and by teams from Russia and abroad.
If the application is submitted by a team, each team member must fill out the form, indicating the name of the collective in the “team” section.
Participants' ages must not exceed 35 years. If the application for participation is submitted by a collective, the team must include individuals who are under 35 years of age.
What is this for
The contest identifies and supports young people working in the field of media art and lighting technologies.

We help to unlock creative potential and gain new professional competences. We provide resources for the creation of new projects and present these projects to the professional community and a wider audience.
We establish new professional connections, form a community, and create a fertile ground for the emergence of new creative teams, alliances, and collaborations.

We cultivate an audience for the perception of light and media art, helping to foster an openness to new and progressive ideas.
Nominations
Objects
(light / multimedia installations)
Video content
(media art / video art / video mapping)
Venue
In-person stages will take place at the territory of the State Museum-Reserve Gatchina, while other events will be held online.
How the contest structured?
For the first time, the competition includes a cultural research laboratory, whose participants will first theoretically attend online lectures and then literally walk around the city to study the multi-layered historical and cultural context of Gatchina. The laboratory will be curated by Lisa Savina, a teacher, curator and producer of cultural projects, co-founder of the Sparta Foundation for Cultural Initiatives.

We have included a large block of workshops to develop creative and technical competences. The lectures and trainings will be led by the most in-demand specialists in the creative sphere, whose work can be seen at the most famous venues.

During the first several months we will just periodically meet online, in zoom conferences, participation in the contest will not interfere with your work and other activities.

The main offline events of the contest will take place in the city of Gatchina, Leningradskaya oblast. There will be a three-day field lab in May, getting to know the city and the museum, forming concepts. And also the main step will be the 10 days long art residency in August, when the contest teams will be living in Gatchina together and on locations in the Gatchina Museum.

The results of the contest will be presented at the festival of light and media art “Light Nights” in Gatchina at the end of August. The jury will evaluate 20 works by the participants and select the winners in the categories ‘video’ and ‘objects’.
How the contest structured?
The themes of the contest entries will be determined during the cultural research laboratory ‘The City as a Media Text’.
Modern media practices in urban environments imply that the artist reads the city in a certain way. The city has its own language, and “reading” the city is the process of analyzing and interpreting various elements of the urban environment to understand the character and culture of the city. Gatchina, the museum, and the museum park form a very interesting combination of objects for such reading. On the one hand, for external visitors it is a town existing around the museum; on the other hand, it is a living town, which, unlike museumified historical cities, has life, industry, and economy— the town is developing. It is fascinating to trace how these layers interact with one another. The park, as an urban recreational area, is a point of intersection between the town and the museum.

Text is also an excellent metaphor for the city, both in a semiotic and a literal sense. The structure of the text closely resembles the structure of urban space. The text contains individual letters, syllables, and words, as well as separate sentences, footnotes, references, and annotations; in the city, there are individual buildings, small architectural forms, and elements that are interconnected, along with fragmented pieces and historical quotes.
Liza Savina
Curator
The laboratory invites participants to read several layers of the city:
  • Historical: Every city has an author, which includes not only the royal family that significantly influenced the town's formation but also those who built and transformed the urban space –– both physical and semantic — leaving tangible or meaningful traces
  • Emotional: This aspect is perceived when the viewer rejects “automatic perception” and allows themselves to experience the space as a reflection.
  • Everyday: as a passive consumer, a leisurely stroller, or a resident who walks through the city, the citizen shapes the urban ornament, becoming part of this text. Through their behaviour — whether individual or collective — they form different patterns.
  • Literary: each part of the city has its own legend, described or preserved in oral folklore. It allows for reflection on all layers through the lens of text — written or unwritten — and creates a personal vision of the space.
Stages and Schedule
9 September —
1 November 2024
Acceptance of applications for participation until 1 November
8 November 2024
Selection and publication of the list of contestants.
16–30 November 2024
Opening of the laboratory. Lectures and talks. Meetings at ZOOM tentatively on 16, 18, 20, 22, 25, 27 and 30 November in the evening time.

Exploring the main visual and historical markers of Gatchina: the city, the palace and the park.

During this stage you will start to form your ‘Imaginary Gatchina’, you will form a digital field (mindmap) that will become the basis of your project.
1 December 2024 —
30 April 2025
Theory and practice. Meetings at ZOOM, 2-4 meetings per month, in the evening or weekends.

Lab Block: Lisa Savina will provide an author's workshop, ‘20th Century Art History for Media Artists.’ The workshop includes a lecture component, tasks and lab sessions with the teams.
Professional competences development block: Workshop on dealing with architecture in video mapping;
Workshop on dealing with sound in audiovisual installations;
Workshop on dealing with objects in landscape;
Lecture and workshop on storytelling in audiovisual installations;
etc.
between
1–10 May 2025
Study in the city of Gatchina for three full days. Lab: three days of field research (walks, excursions), forming a pool of project ideas, linking projects to locations, pitching project concepts.
around
20 May 2025
Online presentation of projects to the jury, selection of 20 projects for implementation.
June–July 2025
Development, budgeting, preliminary work on projects. Individual consultations.
11–20 August or
18–27 August 2025
Creative residency in Gatchina. Creation of creative works.
21–23 August or
28–30 August 2025
Three-day exposition of 20 creative works within the framework of the international festival of light and media art ‘Night of Light’, work of the expert jury.
(The exact dates will be confirmed later)
Finalisation of the competition
Following the outcome of the contest, there will be a final meeting in September 2025 with a discussion, awarding of prizes and announcement of the contest winners.
* The dates and periods for the stages of the Contest may change, information about changes will be posted on the official website of the Contest and Festival www.gatchinanights.ru.
Conditions for Participation in the Contest
  • Participation in the Contest is open to all applicants, no entry fees.
  • Participants who pass the selection process have the right to form teams at their own discretion.
  • Participants are provided with coverage of production costs for creating contest works.
  • Participants receive rewards for the successful realisation of their projects.
  • Participants may attract additional funding sources for creating contest works, including sponsorship.
  • Participants are offered accommodation in a hostel in Gatchina during the fall laboratory and summer art residency.
  • Participants are provided with space for creating contest works during the summer art residency and space for exhibiting the completed works.
  • Travel expenses for non-local and international participants are not reimbursed.
Procedure for Submitting Contest Applications
Applications are accepted until November 1, 2024, in electronic form through the application form.

The application must include:
  1. A completed application form for participation in the Contest. The application can be filled out in either Russian or English.
  2. A portfolio (individually or as part of a team) that allows for the assessment of the applicant's professional level and experience (it may include photographs and videos of completed works as well as sketches). The portfolio should be compiled into a presentation with active links to the works.
  3. A motivational letter in free form. Please explain why you want to participate in the Contest and answer the following questions:
  • Why is participating in the Contest important to you?
  • What results do you expect from participating in the Contest?
  • Are you confident that you are ready to go through the entire long marathon of the Contest stages and reach the realisation of your future project?
  • How ready are you to collaborate with other participants in the Contest?
  • How can your experience be beneficial to your colleagues, and what experience/knowledge/skills are you lacking that you would like to acquire during the Contest?